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Huang Yong Ping (; born 1954) is a French contemporary artist and one of the most famous Chinese Avant-garde artists. Born in Xiamen, he was recognized as the most controversial and provocative artist of the Chinese art scene in the 1980s. Huang was one of the first artists to consider that art was a strategy.〔 He was a self-taught student educating himself under three well-known men. Joseph Beuys well known German artist and art theorist, John Cage an American music theorist and philosopher, and Marcel Duchamp a French artist that's associated with Dadaist and Surrealist. He then graduated in 1982 from CAFA in Hangzhoue. In 1986 he formed Xiamen Dada. Huang Yong Ping has four periods associated with himself, anti-artistic affectation (fan jiaoshi zhuyi), anti-self-expression (fan ziwo biaoxian he xingshi zhuyi), anti-art (fan yishu), and anti-history (fanyishushi). In 1989 at the age of 35 Huang Yong Ping went to Paris for the ''Magiciens de la terre'' exhibit. He then ended up immigrating to France and living there ever since. Many of his pieces today are on a large scale, making them not auction-compatible. Huang Yong Ping represented France at the 1999 Venice Biennale. Xiamen Dada is a group formed by Huang Yong Ping with Zha Lixiong, Liu Yiling, Lin Chun and Jiao Yaoming in 1986, a postmodernist, radical avant-garde group. However, they were looked at as a modern style of art. To protest, the group publicly burned their works, Haung Yong Ping stated that “ Art works are for the artist what opium is for men. Until art is destroyed, life is never peaceful” later the group was withheld from any other public showings.”〔(【引用サイトリンク】url=http://contemporary_chinese_culture.academic.ru/883/Xiamen_Dada )〕 Huang is represented by kamel mennour in Paris. ==Religion and its Role== Huang incorporated many different Chinese philosophies into his works, like Chan Buddhism, Taoism, some western philosophies and Dada, which lead to the forming of the Xiamen Dada group. There are many similarities between Chan Buddhism and Dada as the phrase “Chan is Dada, Dada is Chan” is common among people. Both Chan and Dada are direct and reflective about aesthetic importance and the impossible reality of reality. However, Chan Buddhism and Taoism are constantly changing, and since Dada is Chan and vice versa this should be the case for Dad, but they are opposed to adding more movements making it a paradox and essential having this idea work against Dada's main ideas. The use of these many philosophies show a “cross-cultural exchange” and resulted in the production of many of his works such as ''“A Concise History of Modern Art” after Two Minutes in the Washing Machine'' and A ''“Book Washing” Project''. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Huang Yong Ping」の詳細全文を読む スポンサード リンク
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